The complex aspect about metaphors — or any kind of literary technique used to compare or create meaning — is that there’s a second level of comprehension needed.
For example, the book I’m reading on how to write short stories cites a cliche metaphor of “sharp as a tack” (102). For me to get the meaning — namely that whoever is “sharp as a tack” is, I presume, very smart (is that right?) — I have to connect the idea of the sharpness of a tack to the idea of the sharpness of someone(‘s mind).
I’m not sure I’m being clear. But basically, metaphors function, for me, as
- this thing is like this other thing and here are those two things
- this thing being like this other thing implies a correlation, which consequently describes or adds meaning to the original thing
Does anyone else have to take a second step to process metaphors?
I think the parlance terms are “plotter” or “pantser”: Does one write a structured outline or structure the story as one goes along?
I’m trying to process this whole outline vs. no outline. And how that relates to revision. And where I fit. As I’ve done both, and I’ve done something in the middle, where I have a basic procedure of events following each other.
Like, if I have a rudimentary outline, but the actual first draft deviates from that and has developed a completely different tone and plot, which is the one that should be used in revision? The initial outline or impetus for the story? Or what the story became? Which is truer to the story?
And those questions open up a more important distinction: knowing what the engine or heart of the story is. This leads to what I’ve begun to realize: there’s a distinction between writing an idea and writing a story. This is where characters and character backstory and motivation becomes compelling.
More importantly, I’ve come to realize there’s a distinction between writing an idea and writing a story. This is where characters and character backstory and motivation becomes compelling.
This was a much better week.
I delimited the contours of story variants. I’m not sure how to explain this other than…having a multitude of ideas all crammed together and having to sift them apart.
I reflected back on my earliest writing that featured any content related to my demons. Re-reading that (along with reading LotR currently) has reminded me of where part of the impetus of my demons, as a created species, arose from.
I also realized (or remembered) that the initial emotional crux wasn’t only related to the Moon. Which explains why the story was ordered the way it was in my first draft. I also will have to delete a huge hunch of material, because 1. It doesn’t fit historically, and 2. I felt it put too much of the conflict’s weight on the gods rather than the demons and that’s been a sore spot on me for awhile.
I continue to work my way through the Nights of Heroes 100+ character compilation, finalizing names, years of birth, and rudimentary backstory.
I feel like I’m forgetting something, but this will have to do. I hope for one of these recaps’ I’ll be able to dig in a little more about what I’m talking about. More details and more personal reflection. Or maybe I should pick a stand out point and focus on that. That’s an idea. I’ll see how I feel about it.
Best wishes and writing!
It’s been an odd week.
Also, I have a mild headache, probably from getting distracted on the Internet (tumblr specifically, so it wasn’t like an info-inspiration hole, just the imprint of others’ thoughts and creative projects into my active consciousness) when I had wanted to revel in the sense of openness and work on a few odds and ends, but …nope. Internet. As one does.
I HAVE discovered that a technique used in an old (and now moot) revision may be what I need for Nights of Heroes. I’d been trying to figure out to parcel out the plot via characters. But it’s soooo much easier to:
- break into plot categories
- categorize characters into plots
- work out how their wants interact and effect the plot
Also did some fine-tuning on types of magical imprisonments:
- types of magical being
- type of imprisonment
- type most likely to be sought be different antagonists
But it does bring out how odd it (still) is to me that Disney’s Aladdin operates in a world where jinn are automatically enslaved. (Unless that’s some quirk of it being a wish…)
Sadly, I’ve only made minimal progress on “White Tree.”
Did a lot of drawings for Inktober. That’s been taking up my writing attention. Cause deadlines! Bleh. Though to be fair, I did enjoy the load of Dreams drawings I did. Also love drawing those characters. But I have missed writing. I’ve just been off, I guess. A bit tired and a sense of feeling over-ambitious but only getting a bare minimum done. (And being me, I have had medical-inspired anxiety about it!)
Sorry for the downer post. I guess there isn’t much to say.
Oh! I forgot. I tweaked a bunch of chronological info and got a better sense of when events happened in lieu of each other. Yay
Something that has always puzzled me is how people who write original fiction find time to write fanfiction.
In my case, if I’m going to write, say, a 5k word story, it will take (generously) 8 to 9 months, including writing and revision. And that’s if I’m only focused on that writing project. Why would I take 2/3rd of a year to write fanfiction? And then if I wrote a fanfic bordering on novel-length…
I’ve always been impressed with fanfic writers. But I can’t wrap my head around how I could ever do that because of the time involved. If I’m going to write/revise a story, I need to focus on that story. If I try to balance, say, three stories, the progress is much slower.
I mean, to be fair, my writing ration to my revision ration is 3x or more. That is, if it takes me 3 months to write a novel, it will take me 9 months to revise it. Though if I’m honest, it’s a bit of a puzzle to calculate.
Writing, as a category in my head and my life (because who doesn’t do that, right?) encompasses currently at minimum eight aspects. Aside from writing, revising, worldbuilding, and submissions, of the four still unresolved aspects of being a writer, the two most complex and snarled are:
(1) what and how do I want to —– internet?
The best way I can explain this dilemma is to say me and the figuring out what and how I want to — whatever — with my writing (?) on the internet is like having a recipe that includes peppers. I have the recipe. I know what to do. But I have green and red peppers. But which color do I use?
Additionally, how do I cut them, since the recipe doesn’t specify? How do I want the recipient of my recipe to experience the peppers? As tiny minced pieces? As large pieces? As cubes? It’s like that, but applied to writing and my overall creative life.
Also, as I change, this answer will change. I will need to assess and process this, and someday this will change and I will have to assess and analyze regularly.
(2) how I want to be a writer and what responsibilities should I do and can I do?
tl;dr: I’ve tried various times to create and categorize writing (and related) blogs. But I can never maintain interest (except in ones I delete or revise the intention of). Until I know what I’m doing with my writing and my various categories of purpose (for me, for fairy tales, for sharing stories, for sharing experience), I won’t be updating this blog on a regular basis, if at all. Thank you to everyone who read and commented on my weird little posts. 🙂
At the beginning of the year (February, to be precise), I typed up an initial post, which has been on my to-do list for…maybe a year?, about this blog. And it’s various incarnations.
The central question was why? Why do I even have this blog?
It started as a place to post detailed responses to books I’m reading or have read. But my motivation and interest in that only lasted so long.
Then it was supposed to be a writing blog, with posts of my writing, especially my daily writing exercises. The trouble with that was two-fold: making sure I didn’t publish anything online I wanted to publish in some other way (and the added analytical sieving to make sure the stories or vignettes I post/posted were not something I wanted to publish in some other way) and a lot of what I would post/posted weren’t really that important. About the most important bits I’ve posted about my writing is my Writing Demons posts.
Then it was supposed to be a place to post my experiences, struggles, and thoughts as a writer. But doing that felt too messy for a blog, so I made a writing journal. But that has since ground to a halt. Likewise, this blog’s venue as a writing blog has ground to a halt. And my question is why?