Something that has always puzzled me is how people who write original fiction find time to write fanfiction.
In my case, if I’m going to write, say, a 5k word story, it will take (generously) 8 to 9 months, including writing and revision. And that’s if I’m only focused on that writing project. Why would I take 2/3rd of a year to write fanfiction? And then if I wrote a fanfic bordering on novel-length…
I’ve always been impressed with fanfic writers. But I can’t wrap my head around how I could ever do that because of the time involved. If I’m going to write/revise a story, I need to focus on that story. If I try to balance, say, three stories, the progress is much slower.
I mean, to be fair, my writing ration to my revision ration is 3x or more. That is, if it takes me 3 months to write a novel, it will take me 9 months to revise it. Though if I’m honest, it’s a bit of a puzzle to calculate.
One thing I’ve found out about myself, and which is part of why I’ve begun to think that I’m not future-author material, is that I can’t see the appeal of writing about sad or difficult things.
To be a little clearer: if I’m feeling crummy, why would I want to actualize my dense, dragged-down, twisted, tangled feelings into words? Won’t it just leave me more exhausted and drained and defeated?
Additionally, why would I want to write about characters’ (whom I like) suffering, be it mentally, physically, or emotionally? (Okay, that’s not entirely true; there is a kind of…satisfaction from watching a character go through struggles and change as a result.)
I suppose it’s truer to say that I have a hard time getting why a writer would create characters who do intentionally terrible things.
I can get characters doing what they think is right or characters acting on their own sense of identity and integrity. But that that identity or sense of right would be to compromise the humanity of others…like why? What’s the appeal?
So I was re-reading Histoire d’Aladdin ou la Lampe merveilleuse (as one does), and I was forcibly reminded that writers need to know what they’re writing about. If say, I write about a character baking a cake, I have to know what kind of cake they’re baking and, more importantly, I need to know how that cake would be baked. And that’s where experts and connections and all that is important. Knowing who to ask and getting input from people who know what they’re talking about. Experts.
But what I think is interesting is that I couldn’t write:
She baked a werthor from a bowl of leftover isluuma blossoms, dried up after last winter’s molt and stored by her grandmother. After all adding a dollop of yurna berry juice, with just the right thickness to keep the center stiff, she popped the feathery dough into the fire-orb, watching as it expanded into a firm round werthor.
Because it’s not based on an actually recipe or method of baking.
Day 25: Feb 25
Dark brown earth moves gently, as if the ground is quietly yawning. Specks of dirt slide away and a tiny mound rises an inch off the bare ground. Slowly — slowly — slowly — a tuft of green peeks through. Translucent and shimmery like a glass emerald moon, but still too young to be anything but an awkward pine-lime shade, the tuft’s fledging leaves expand toward the overcast sky. Fragile but with a seed whose roots run deep, it softly sings for joy.
I have renewed these in lieu of the Refugee Ban in the USA. Inspired by the-cassandra-project and their Every Day Challenge, I am writing every day to raise money for the Urban Justice Center. You can donate here or please spread the word. Thank you.